SKU:PMP20000446900
Available in both 3200K or 5600K single color temperature versions along with a new Bi-Color version (2800-6000K) , the F8-200’s advanced ultra-bright LED module ensures excellent skin tones and rich, accurate color rendition. Of course, the F8-200 has all the hallmarks of a traditional Fresnel light, including single shadow beam shaping with adjustable beam spread (16-70 degrees), continuous focus, and a high-quality 8” Schott German glass lens for a smooth light field.
The F8-200 collapses to less than 5” thick, for easy transportation and storage in one of our custom single or dual ATA-rated soft cases. It comes with a worldwide AC adapter, or you can power it in the field from a pair of standard 14.4V camera batteries, for complete portability. It’s water-resistant IP54 rating ensures the F8-200 will keep shining in rain, snow, or dust. Don’t try that with your traditional Fresnel.
In the studio, all the functionality of the Zylight F8-200 can be controlled via DMX or remotely via the built-in ZyLink™ wireless system. There is also a pole yoke option for permanent installations, and at 15” x 12” x 4” it will take up considerably less space in your grid than a traditional Fresnel. Its ultra-quiet fan operation means it can run in a studio setting without disrupting audio recording.
The Zylight F8-200 (5600K version) gives you the same punch and light quality of a 400W HMI while consuming half the power, and in a package as small as some 400W HMI’s ballasts. No more worrying about hot lights, expensive bulb burnouts, flicker, voltages, bulky DC converters, hot restrikes, rain, or snow. And the F8-200 costs half as much as many HMI packages.
